Sunday, October 26, 2025
Technology

Hollywood is in love with microdramas, for all the wrong reasons

Apps like ReelShort and DramaBox have seen strong growth and huge revenue numbers by embracing user-hostile design choices.

Hollywood is in love with microdramas, for all the wrong reasons

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Posts from this topic will be added to your daily email digest and your homepage feed.

Posts from this topic will be added to your daily email digest and your homepage feed.

Apps like ReelShort and DramaBox have seen strong growth and huge revenue numbers by embracing user-hostile design choices.

Apps like ReelShort and DramaBox have seen strong growth and huge revenue numbers by embracing user-hostile design choices.

Posts from this author will be added to your daily email digest and your homepage feed.

Posts from this author will be added to your daily email digest and your homepage feed.

This is Lowpass by Janko Roettgers, a newsletter on the ever-evolving intersection of tech and entertainment, syndicated just for The Verge subscribers once a week.

What if you could make hundreds of millions of dollars with cheaply produced content, all while sidestepping powerful distribution platforms like Netflix and YouTube? This promise is at the core of Hollywood’s latest obsession: microdramas, a new form of storytelling that originated in China, gained momentum in India, and is now taking the US by storm.

There have been countless stories in Hollywood trade magazines and business publications alike in recent months about apps like ReelShort, DramaBox, and ShortMax. These apps are supposedly poised to generate $1.3 billion in revenue in the US alone this year, with global revenues estimated to be around $8 billion.

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